Share your writing and ideas with friends and family. Study Hunter’s paintings and write a few paragraphs about what you would paint and what future people might understand about you from your art. Imagine if you could paint all the walls of a building to show your regular life! It might be a look at history for the people of the future. They capture daily life of the local community. Clementine Hunter’s most well-known paintings are the murals at African House.Check out these examples from notimeforflashcards for inspiration! Get creative! Ask an adult for permission to use the materials, and create some new works of art to display. Look around where you live to see if you can find art materials.Here are some activities to help you explore your creative side! She painted what she saw and knew and used lots of different materials. So, the next time you get the urge to make a painting, ask a trusted adult if there is anything you can paint on besides paper or a canvas!Ĭlementine Hunter didn’t start painting until she was in her 50s. Robert Wilson wrote an opera in her honor. Many articles and books feature Hunter and her work. Northwestern State University in Louisiana gave her an honorary fine arts degree. Her best-known works are murals painted on the walls of the African House on the Melrose plantation. President Carter invited her to visit the White House. Along with her paintings, Hunter created quilts and some fabric art.Īlthough she started working with no formal art training, her work gained universal respect. Almost all her figures were of Black women. She also showed occasions like baptisms, funerals, and weddings. Hunter’s paintings featured the everyday life of plantation workers. At an auction in the 2000s, one of Hunter’s paintings sold for close to $70,000! Her first sales were less than a dollar per painting. Her primitive art gained the attention of people who visited Melrose. Hunter, who could not read or write, told stories about those people who made the plantations run. She used her work to show what it was like to be a Black woman living on a plantation. Of course, she also worked on traditional canvases and papers.Ĭlementine Hunter created thousands of paintings during her career. She created on gourds, bottles, pieces of wood, and even plastic milk jugs. In the years that followed, Hunter used many surfaces for her paintings. With a set of someone else’s used paints, she used a window shade to create her first work of art. She began painting when she was in her 50s. Hunter spent most of her life at Melrose. She moved to housework and wound up as a cook. Hunter started working alongside her parents as sharecroppers. Owners who took it over later turned it into an artists’ colony. When she was a youth, her family moved to the Melrose plantation, also in Louisiana. She never got more than a few days of formal schooling in her life. Her parents were Creole, and her grandparents had been enslaved people. The novel Uncle Tom’s Cabin was possibly based on Hidden Hill. People knew Hidden Hill plantation in Louisiana for its brutal treatment of its enslaved people and servants. She was born Clementine Reuben at Hidden Hill in January 1887. Let’s study the life and career of Clementine Hunter! That’s how the artist we will discuss today got her start. In the last decade of her life, Hunter’s dreams of independence were realized, when the sales from her art enabled her to buy a house trailer and depict that place-humble but hers-as home.Have you ever wanted to make a painting? Just pull out some paints and some paper or a canvas and start something beautiful? If you had nothing to paint on, you might try looking around for a blank surface. Particularly noteworthy in Hunter’s work are her portrayals of Black women as strong, caring, capable people who give foundation to their entire community. The paintings reflect on personal memories but carry persistent undertones of protest regarding both race and gender. Hunter made pictorial quilts and small paintings, but her most iconic works include nine room-size murals painted in 1955, inside a building at Melrose Plantation called African House. Black Americans in her Cane River community dominate narrative images in which the artist reclaimed cultural pride and conveyed her multifaceted spiritual and ethnic identity. On a Louisiana plantation built on the labor of enslaved workers and reinvented, in the twentieth century, as an artists’ and writers’ retreat, Clementine Hunter painted everyday scenes she felt historians overlooked.
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